Estampes transitoires
Solo show
September 22⎻October 20, 2024
The Green Door Gallery
Rue Murillo 19/21⎻1000 Brussels
Show opening: Sunday, Sept. 22, 14:00⎻18:00
Opening hours: Thursday, Friday, Saturday, 14:00⎻18:00 (and at other times on request)
‘We are proud to present artist Marie-Anne Truffino with a selection of her latest abstract monotypes.
With a practice firmly rooted in her love of classical painting of the 16th and 17th century, themes of transparency, depth, light and shadow now find a new iteration in Truffino’s latest body of work; the spontaneity of liquid ink, solvents and layers of pressings using a monotype printing technique create shapes that travel through infinite spaces. Amorphous colours spreading across edges, opening up into bold abstract artworks - each one as unique as a fingerprint.
Marie-Anne Truffino lives and works in Brussels. In 1992 she establised Atelier Truffino where she continues to teach traditional oil painting techniques. In 2024 she was selected by Commune d’Ixelles as artist in residence at the Chapelle de Boondael with her site-specific installation “Séquences Organiques”.’
⎻Helen O Sullivan
Solo show
September 22⎻October 20, 2024
The Green Door Gallery
Rue Murillo 19/21⎻1000 Brussels
Show opening: Sunday, Sept. 22, 14:00⎻18:00
Opening hours: Thursday, Friday, Saturday, 14:00⎻18:00 (and at other times on request)
‘We are proud to present artist Marie-Anne Truffino with a selection of her latest abstract monotypes.
With a practice firmly rooted in her love of classical painting of the 16th and 17th century, themes of transparency, depth, light and shadow now find a new iteration in Truffino’s latest body of work; the spontaneity of liquid ink, solvents and layers of pressings using a monotype printing technique create shapes that travel through infinite spaces. Amorphous colours spreading across edges, opening up into bold abstract artworks - each one as unique as a fingerprint.
Marie-Anne Truffino lives and works in Brussels. In 1992 she establised Atelier Truffino where she continues to teach traditional oil painting techniques. In 2024 she was selected by Commune d’Ixelles as artist in residence at the Chapelle de Boondael with her site-specific installation “Séquences Organiques”.’
⎻Helen O Sullivan
Séquences Organiques
Exhibition in duo with sound artist and photographer Virgile Loiseau
April 18 to May 5, 2024
Show Opening: April 18
Show Closing: May 4
Open on Wednesday to Sunday, 11:00-18:00
FR: Une promenade sensorielle, visuelle et sonore, à travers l’espace de la chapelle de Boondael. Virgile Loiseau et Marie Anne Truffino associent leurs pratiques respectives pour proposer une installation immersive de son et d’images.
NL: Een zintuiglijke, visuele en sonische reis door de ruimte van de kapel van Boondael. Virgile Loiseau en Marie Anne Truffino combineren hun respectieve praktijken om een meeslepende installatie van geluid en beelden te creëren.
Exhibition in duo with sound artist and photographer Virgile Loiseau
April 18 to May 5, 2024
Show Opening: April 18
Show Closing: May 4
Open on Wednesday to Sunday, 11:00-18:00
FR: Une promenade sensorielle, visuelle et sonore, à travers l’espace de la chapelle de Boondael. Virgile Loiseau et Marie Anne Truffino associent leurs pratiques respectives pour proposer une installation immersive de son et d’images.
NL: Een zintuiglijke, visuele en sonische reis door de ruimte van de kapel van Boondael. Virgile Loiseau en Marie Anne Truffino combineren hun respectieve praktijken om een meeslepende installatie van geluid en beelden te creëren.
Séquences sonores
Joint exhibition with Virgile Loiseau at RHoK academie’s pavilion, Brussels
May 27 to June 10, 2023
A sensory, visual and sound walk through the space of the RHOK pavilion: Marie Anne invited Virgile to respond to her work of monotypes with an auditory installation.
Joint exhibition with Virgile Loiseau at RHoK academie’s pavilion, Brussels
May 27 to June 10, 2023
A sensory, visual and sound walk through the space of the RHOK pavilion: Marie Anne invited Virgile to respond to her work of monotypes with an auditory installation.
Evolving drawing
Marie Anne presents four series of monotypes exhibited as a narrative flow of images that reflect the transitory rhythm of life.
The print drawing is created with a fluid mix of ink and solvent on a zinc plate. The passage under the press freezes the moving inks on the paper. Marie Anne explores the mutative possibilities of the original drawing, reworking it on the plate between each print.
Organic versus machine
There is a contrast between the evolving and impermanent character of the drawings, and the systematic and regular character of the rail on which the prints are arranged. The drawings’ shapes are comparable to stars or molecules transforming from one landscape to another, while the rail reminds us of the crenels of the press or the mechanics of image production, whether we think of a photographic film or a "feed" on social networks.
Influence of ancient painting
In parallel to her monotype work, which she has been practicing for 10 years at the Rhok Academy, Marie Anne teaches ancient oil painting techniques in her studio. She taught herself to copy Flemish and Dutch masters’ painting at the Royal Museums of Fine Arts in Brussels, mainly still lives of the 16th and 17th centuries. These techniques still influence her monotypes on a technical level: transparent superimpositions, depth, textures, shadows and light...
“Nature morte, nature vivante”
Fruits, flowers, skulls, candles, insects, etc. Ancient still lives represent perishable objects that symbolize the passage of time, the fragility of life or even vanity. Marie Anne's monotypes echo this introspective vision as they capture a mutating state in print. They are the result of a kinetic process.
Colors
The four series take on a different personality thanks to their color combinations. Inspired by Josef Albers’ practice, Marie Anne observes the character that one color takes in interaction with another. She manually mixes the colors of each series and combines them in an experimental and intuitive way. The light emanating from the combinations is what interests her above all.
Virgile Loiseau
Virgile is a sound artist who creates auditive documentaries. He considers sounds as a field of study and a means of expression, but above all a way of cultivating and questioning the link he has with others and his environment via the almost personified presence of the microphone.
From meetings to residencies, he collaborates with artists with photography, video, theatre or painting practices. He questions the relationship between sound and visual perceptions, and collects poetic testimonies of strangers on the noises inhabiting their daily life.
Sound installation
Virgile installed a sound system of 4 spatialized speakers in the pavilion. The soundtracks are composed of electroacoustic elements, field recordings and voice fragments from interviews, altered by different mixing processes. Each speaker broadcasts a different tape.
The audio installation dialogues with Marie Anne's visual work, personalizing the series of prints with particular connotations. Sound is everywhere, in rhythm or in ruptures, disorienting the acoustic perceptions we got used to trust.
Video
‘Séquences organiques’, film by Virgile Loiseau and Marie Anne Truffino, 2022.
The film completes the exhibition, giving an overview of Marie Anne's monotype practice through these series of works. The gestural and mechanical rhythms and repetitions seek a balance between control and "accident".
‘Séquences organiques’, film by Virgile Loiseau and Marie Anne Truffino, 2022.
The film completes the exhibition, giving an overview of Marie Anne's monotype practice through these series of works. The gestural and mechanical rhythms and repetitions seek a balance between control and "accident".
Variations on paper
Joint exhibition with Marie Van Elder, curated by Leo Bersamina.
Gallery space, Vrijdagsmarkt 13, Antwerpen.
October 13-14-15, 2023.
Joint exhibition with Marie Van Elder, curated by Leo Bersamina.
Gallery space, Vrijdagsmarkt 13, Antwerpen.
October 13-14-15, 2023.
The sun is a common good offered to all
Monotypes on paper 3X (90x76cm) and metal base, series of 3, 2022.
Installations designed for the ‘Rhok's Eye’ collective exhibition of the printing department of RHoK academie at Erasmus House and Beguinage Museum in Anderlecht, Brussels.
February 18 to May 22, 2022
Monotypes on paper 3X (90x76cm) and metal base, series of 3, 2022.
Installations designed for the ‘Rhok's Eye’ collective exhibition of the printing department of RHoK academie at Erasmus House and Beguinage Museum in Anderlecht, Brussels.
February 18 to May 22, 2022
Text
‘RHoK’s eye’ offered a dialogue between contmporary printmakers and the permanents historical works of the Erasmus House musseum.
For this collective exhibition, Marie Anne exhibited three installations inspired by the Dutch philosopher and theologian Erasmus (1466-1536), who briefly resided in this house in Brussels in 1521.
In 1516, Erasmus published a Greek edition of the New Testament as well as a Latin and clarified translation of the Vulgate, the official Latin version of the Bible at the time. Following his humanist ideals of lucidity and purity of language, he turned to the original versions of texts, to free them from errors of revision and commentaries of the past. An editorial success thanks to the invention of print, this bold publication shook up the Christian tradition of the time and divided its readers.
The phrase "The sun is a common good offered to everyone" introduces the preface to Erasmus’ New Testament. He pleads for the Bible texts to be translated into all vernacular languages from its Latin translation and to be disseminated to the largest number, across all social categories. Knowledge belongs to all, just like the sun, the brightest of the stars.
The work’s theme, as well as the way its display allows the viewer to circle around it, shows an intention of communication. This transparency recalls Erasmus’ quest for diffusion.